【導(dǎo)讀】：實(shí)上,所有這些單詞可以認(rèn)為資本主義的符號(hào)的時(shí)間在很多人眼里。他們認(rèn)為資本主義就像泰坦尼克號(hào),這應(yīng)該是“永不沉沒(méi)的”。美妙的方式發(fā)展經(jīng)濟(jì)將保持在良好狀態(tài)永遠(yuǎn)。

【正文】：

After the appreciation of the film “Titanic”, I have noticed some meaningful details behind the peoples’ general impression of simply an affectional film. The wreck of the Titanic occurred in 1912, in which the great recession started from the end of the 19th Century inspiredelm.com still hasn’t ended. Most critics pointed out that the sinking of the Titanic represents the collapse of the Capitalism in the end of the 19th Century. However, I would like to say that, in this movie, the director had not only foreran the crisis of the Capitalism, but also showed some of the human nature, from both gloomy and brilliant aspects, like selfish, mammonish, vainglorious, and love, hope, bravery, faith, and so on. In this essay, I will first reveal this film’s indication of the social context of that age, then I will analyse the two contrary aspects of human nature indicated in this film through some impressive shots.

Under the development of industrial technology, the economy in the Capitalism countries took off. People lived a rich, luxury and expensive life, and this rapid economic development lasted for almost 20 years. People had got used to this kind of life. The huge development in machinery changed people’s life greatly. Innovations of transportation, such as vehicles and tankers, allowed people to travel around. The appearance of these modern transportations was an important milestone of the industrialization. People thus became very confident on human intellectual capabilities. They believed their power of conquering the nature is inapproachable. While the Titanic is also called “The Ship of Dreamers”, in this film, when it bearing in with the ocean in the darkness, the mysterious ocean represents the unknown nature and the ship itself represents the advanced material capabilities people owned. In a shot that Mr Bruce explains his design of the Titanic, he said “the ship possesses huge size, stability, luxury, and strength”, and that” the supremacy will never be challenged”. In fact, all these words can be thought of the symbols of the Capitalism of that time in many people’s eyes. They thought the Capitalism is just like the Titanic, which should be “unsinkable”. The wonderful way of developing economy would stay in good condition eternally. However, things do not always follow the way people wish to be. The economic recession suddenly attacked the Capitalism countries at the end of the 19th Century. It was not until then that people did not realize the impracticality of their idealized “unsinkable” Capitalism. Capitalism will sink. And unfortunately it did sink.

【下一頁(yè)內(nèi)容：參考譯文】

【參考譯文】：在欣賞電影《泰坦尼克號(hào)》,我已經(jīng)注意到一些有意義的細(xì)節(jié)背后的人民的印象只是一個(gè)愛(ài)情片。泰坦尼克殘骸的發(fā)生在1912年,大蕭條始于十九世紀(jì)末還沒(méi)結(jié)束。大多數(shù)評(píng)論家指出,泰坦尼克號(hào)的沉沒(méi)代表資本主義的崩潰在十九世紀(jì)末。然而,我想說(shuō),在這部電影中,導(dǎo)演不僅foreran危機(jī)的資本主義,但也顯示出一些人性,從兩個(gè)悲觀和燦爛的方面,如自私、拜金的,自負(fù)的,愛(ài)情,希望,勇氣,信心,等等。在本文中,我將首先揭示這部電影的指示的社會(huì)環(huán)境,年齡,然后我將分析這兩個(gè)相反方面的人性中指出這部電影通過(guò)一些令人印象深刻的鏡頭。

工業(yè)技術(shù)的發(fā)展下,在資本主義國(guó)家的經(jīng)濟(jì)起飛,人們過(guò)著富裕、豪華和昂貴的生活,這種快速的經(jīng)濟(jì)發(fā)展持續(xù)了將近20年。人們已經(jīng)習(xí)慣了這種生活。巨大的發(fā)展在機(jī)械極大地改變了人們的生活。創(chuàng)新的交通工具,比如汽車(chē)和油輪,允許人們游玩。這些現(xiàn)代交通工具的出現(xiàn)是一個(gè)重要的里程碑的產(chǎn)業(yè)化。人們因此變得非常自信對(duì)人類(lèi)知識(shí)的能力。他們相信他們的力量征服自然是無(wú)敵的。雖然泰坦尼克號(hào)也被稱(chēng)為“船的夢(mèng)想家”,在這部影片中,當(dāng)它軸承在與海洋的黑暗中,神秘的海洋代表著未知的自然和船本身代表了先進(jìn)材料功能人擁有。在一個(gè)鏡頭,布魯斯先生解釋了他設(shè)計(jì)的《泰坦尼克號(hào)》,他說(shuō):“這艘船擁有巨大的規(guī)模,穩(wěn)定,豪華,和力量”,“霸權(quán)永遠(yuǎn)不會(huì)挑戰(zhàn)”。事實(shí)上,所有這些單詞可以認(rèn)為資本主義的符號(hào)的時(shí)間在很多人眼里。他們認(rèn)為資本主義就像泰坦尼克號(hào),這應(yīng)該是“永不沉沒(méi)的”。美妙的方式發(fā)展經(jīng)濟(jì)將保持在良好狀態(tài)永遠(yuǎn)。然而,事情并不總是按照人們希望的方式。經(jīng)濟(jì)衰退突然襲擊了資本主義國(guó)家在19世紀(jì)的結(jié)束。直到那時(shí),人們才意識(shí)到不切實(shí)際的理想化的“永不沉沒(méi)的”資本主義。資本主義會(huì)沉。和不幸的是它確實(shí)沉沒(méi)。